The ten artists below have now been appointed, and details of them and their work are provided below in alphabetical order: KIM CUNNINGHAM (kim.cunningham@mac.com) (www.kimcunningham.co.uk)Kim Cunningham is a London based freelance photographer, and recently graduated with an MA in documentary photography from the University of Wales, Newport. She initially studied photography in Dublin and soon after embarked on a personal project to photograph the village she grew up in, to capture life, as she knows it. Kim has continued to photograph this village ever since and this project has inspired her to document other aspects of our society and culture with particular reference to our sense of identity and community. "My intention is to capture every day moments in people’s lives – moments that I can identify with - as well as conveying the emotions and atmosphere associated with living in a particular community. This is something that is echoed in all my projects so far, and I feel cultural representations are inherent in our identity but it is also important to capture those quieter, familiar moments that are more lasting which transpire in many cultures. There is a certain charm and fondness that is present in small, local communities and the closeness between people, which is inherent in every day life, allows culture to develop. The unique character of individuals and the familiarity of local faces gives us a sense identity and belonging." Recent Exhibitions/Awards: 2008 - 2009: Ireland (an insider’s view ), Arles, Berlin, Paris, Dublin Group, touring exhibition featuring the latest photographic talent, presented by the Gallery of Photography, Dublin 2008: The De Veres Award, Royal Hibernian Academy, Dublin Award for first time exhibitor at the 178th RHA annual exhibition 2008: 178th RHA Annual Exhibition , Royal Hibernian Academy, Dublin Annual exhibition of selected artist’s work in this artist based, artist oriented institution 2008: Trick or Treat, Wilkin’s Street, Waterford Group exhibition of contemporary art in a domestic space, as part of the Imagine Arts festival 2008 2008: Hasselblad Masters Annual Award Semi – Finalist of this prestigious annual award 2007: Space Between Exhibition, Turner House, Penarth, Wales Group MA exhibition featuring the work of graduates of the University of Wales, Newport MARK EDWARDS (mark@markedwards.eu.com)(www.markjedwards.com)My work primarily depicts spaces that exhibit a sense of both longing and indifference. In places where I repeatedly walk alone time and again I find points of affirmation in quiet and prosaic landscapes. These are not landscapes of the sublime but of the overlooked and the everyday. Often returning to the motifs of my childhood I endeavour to make work which reflects my sense of wonder when taking the photograph. The slow process of their making, through the use of an 8 x 10 inch view camera, allows both myself and the viewer a considered encounter. These quiet spaces and pictures reflect my own sensibility to the places where we have settled and our engagement with them. Education 1998 M.A. Photography, De Montfort University 1997 P.G. Dip. Photography, De Montfort University Website www.markjedwards.com Public Collections The V & A Museum, London Government Art Collection Solo Exhibitions 2005 Disturbances, BCA Gallery, Bedford 2004 Disturbances, Focal Point Gallery, Southend-on-Sea 1996 Traces and Elements, The Bend in the River Gallery, Gainsborough 1995 Light Rhythms, The Ferry Centre, Oxford Two Man Exhibition 2008 Mark Edwards & Nadav Kander: Landscapes, Fourth Lianzhou International Photo Festival, Lianzhou, China Selected Group Exhibitions 2008 These Valued Landscapes (with Emily Cole, Fraser Harrison, James Ireland, Idris Khan, Paul Scott, Katy Woods), Oriel Davies Gallery, Powys These Valued Landscapes, Bury St. Edmunds Gallery, Bury St. Edmunds Voewood Projects, Voewood House, Holt 2007 150th Anniversary, The V & A Museum, London Forest Dreaming , Centre For Contemporary Art and The Natural World, Exeter 2006-7 Photographs from the Collection, The V & A Museum, London 2005 The World, Abridged, (with Oliver Bancroft, Ryan Gander, Sally Osborn, Lucy Skaer), Kettle’s Yard, Cambridge 2004 Commonground, Artsway, Sway Sanctuary, Fermynwoods Contemporary Art, Kettering Tempered Ground, (in association with Danielle Arnaud Contemporary Art), Museum of Garden History, London Crossing The Line, Salthouse Gallery, Salthouse 2003 The Simple Truth, The Norwich Gallery, Norwich 2002 Kettle’s Yard Open, Kettle’s Yard, Cambridge Mostyn Open, Oriel Mostyn Gallery, Llandudno 2001 The Sleep of Reason, (with Bernd & Hilla Becher, Richard Billingham, Thomas Struth, Petra Wunderlich) Focal Point Gallery, Southend-on-Sea 2000 The Sleep of Reason, The Royal Pump Rooms, Leamington Spa and The Norwich Gallery, Norwich 1998 12, The Riverside Studios, London MARLENE HARING (www.marleneharing.com) The citation for the 2005 Birgit Jürgenssen Prize states: 'The deciding factor [in awarding the prize to Marlene Haring was that the young artist does not rely on any formalist approaches in her work or limit herself to one medium, but rather employs performance, happening, photography, video, etc., reflecting trends, contents and strategies of today’s art world and in translating these into her own works after endowing them with a new and subversive dimension. [...She] has developed an independent position evincing a great degree of attention for the rules of art and the everyday world and an aesthetic competence focusing on the crucial questions concerning the criteria for social closeness and distance, body and mind, sex and gender.' 1978 born in Vienna 1997-1998 Foundation Diploma, Chelsea College of Art and Design, London 1998-2005 Fine Arts/Media (Peter Kogler) Academy of Fine Arts, Vienna 1999-2003 working in collaboration with Catrin Bolt as Halt+Boring
2009 EASTinternational, Norwich, UK 2008 Delusionarium 4, curated by Jesse Benson, Bonelli Contemporary, Los Angeles Young Artists‘ Biennal, 2nd Edition, Bucharest, curated by Ami Barak Marlene Haring + Nazim Ünal Yilmaz, curated by Eva Martischnig, Graz Austria Tomas Vanek + Marlene Haring, Czech Center, Vienna SHOW ME YOURS, I‘LL SHOW YOU MINE, with Anna Artaker + GirlsOnHorses, curated by exgirls, Krakow, Poland Cheek up! public poster action, invited by exgirls (Magdalena Ujma and Joanna Zielinska), Krakow Poland 2007 Ich bin keine Küche (I am not a kitchen), Heiligenkreuzerhof, Vienna Miroir mon beau miroir, curated by Caroline Messensee, Maison Guerlain, Paris Fresh Trips, Kunstraum Innsbruck, Austria Schaurausch, curated by Paolo Bianchi and Martin Sturm, O.K Centrum for Contemporary Art, Linz Unterspiel, curated by Seamus Kealy, Blackwood Gallery, Toronto LIVE at Supreme Trading, New York 2006 Gallery Jocelyn Wolff, Paris – Concentrated Strategies Marc de Puechredon, Basel – Vanitas Osterreichisches Kulturforum, Prague 2005 Galerie Mezzanin, Vienna - ??? Stadtgalerie, Wels, Austria - Computerprints of Wales Kunstpavillion Innsbruck, Austria - Groupshowboard Contemporary Art Gallery, Vancouver, Canada - Unterspiel Betonsalon, MQ, Vienna - Mein Bier. Dein Bier. (My beer.Your beer) Installation
2008 Production grant for Show me yours, I‘ll show you mine by Austrian MInister for Education, Art and Culture 2006 International Studio & Curatorial Program (ISCP), NY, USA 2005 Birgit Jurgenssen Prize 2004 State scholarship for Photography (together with Catrin Bolt) 2003 MAK- Schindler Scholarship, MAK Center for Art and Architecture, Los Angeles (together with Catrin Bolt) CARL JAYCOCK (creativecarl@btinternet.com)(www.carljaycock.co.uk)"My artworks are primarily concerned with exploring ideas about identity and presenting the ideas in a physical form that explores the use of everyday images and materials to raise questions on the complexity of identity. I am interested in the connections between the local and global culture. I have lived or travelled in various parts of Europe and South East Asia and this has informed much of my practice. The use of facial imagery and its various cultural uses has been explored in many past artworks taking my artworks from a ‘nature’ exploration of facial imagery through to now where my artworks explore the cultural references that express our identity. The range of materials I use is wide ranging but selected for the additional content they bring to the artwork. Materials such as using old books or new images collected from television or old record players tapes and album covers have been explored and experimented with to tap into the emotive cultural references and meanings it triggers in the viewers of the artwork. My photographic and digital printing practice makes use of micro and macro imagery combinations in the artwork to entice the viewers of the artwork to look closely and from a distance which enables a strong level of participation and critiquing of what is presented and raises ideas on several levels. The computer has been an important tool for my practice in the collecting and the exploration of everyday images and re-contextualising of archived material. The outcome is artworks that utilise new media photographic processes to create strong visual work, which aims to connect to people through referencing both art and photographic traditions." Education & Qualification 1998 - June 1999 Multi Media projects using Director, PhotoShop, Dreamweaver, Adobe Sussex University with Lighthouse After Effects, HTML etc short films and sound to create interactive multi-media Digital Certificate Training Award projects for CD-ROM, Web sites and Installations in Multi-Media with academic theory 1989 –1990 Birmingham University M.A Fine Art. 1979/1983 Berkshire College of A&D. Southern Regional Diploma in 3D Design Selected Group Exhibitions 2006 ‘THE OBSESSIVE GARDEN’ The Ashford Gallery, Royal Hibernian Academy, Dublin 2006 ‘TRANSFORM’ Format Photography Festival, Q Arts, Derby. 2006 ‘MAKING WORDS’ Touring Exhibition Bilston, Leamington Spa. 2005 ‘DIFFERENT ALPHABETS’ Bury Art Gallery, Text Festival artists inc: Jasper Johns, John Cage Lawrence Weiner & Maurizio Nannucci, Rashid Areen, Simon Patterson, Ian Hamilton Finlay. 2004 ’IDENTITY’ The Park, Powis, Wales, UK. 2002 INTERNATIONAL OPEN IMAGE. Deluxe Gallery, Hoxton Square , London. 2002 ‘OCTOBER REPORT’ Sotheby’s Artlink Finalist 1998-2002. Genia Schrieber Gallery,Tel Aviv. 2002 SOTHEBY/ Shrewsbury Open. UK. 2001 CRAFTS COUNCIL.LONDON. 'On Paper’ exhibition" July 2001 2001 SOTHEBYS. 'ARTLINK' New York and Tel Aviv Auction of selected contemporary artists. 2000 EAST Open International. Norwich. Selectors Sebastien Lopez and Keith Piper. 1999-2001 CITY Gallery, Leicester. 'Perfect World' Touring exhibition. 12 venues. 1999-2000 IKON Gallery, Birmingham, Touring Exhibition.’ Out of Place" 1999 MOSTYN Open 98-99 1998 SKOOB BOOKS Gallery. Kuala Lumpur, Malaysia. 1997 '1st ELECTRONIC ART SHOW’ National Art Gallery, Kuala Lumpur. 1996 I.C.A. Institute of Contemporary Art. London. 'HAYVEND' 1995 Royal College of Art 'ABSOLUT SECRET 'with Blake, Colvin, Mach Selected Solo Exhibitions. 2008 The Bracknell Gallery , South Hill Park , Ringmead, Bracknell, Berkshire.UK. 2004 UH Gallery’s, Hertfordshire and MAC Gallery Birmingham UK touring, catalogue ISBN 898543836 2002 Atrium Gallery. Pricewaterhouse Coopers London. Curated by Dickson Russell Art. 1999 Marc Van Meensel Gallery. Belgium. 1998 Maybank Gallery K.L. Malaysia. 1998 Brighton Museum & Library. 1995 Artforum, London. 1995 Hove Museum and Art Gallery. Catalogue intro by Professor Norbert Lynton. Selected Public Collections. 2003 Shrewsbury Museum & Art Gallery, Shropshire.UK. 2001 The State Museum Majdanek, Poland. 1998 Maybank Art Collection, Kuala Lumpur Malaysia. 1994 Projekt Theatre, Dresden, Germany. 1994 Deutsche Bucherei, Leipzig und Frankfurt am Main, Germany. 1994 Deutsches Literatur archiv, Marbach am Velkar, Germany. Sachsische Landes Bibliothek, Dresden. Germany. 1994 Gutenberg Museum Mainz. Klingspor Museum Offenbach Germany. 1990 Mukhinas Academy-St Petersburg. Russia 1989 Fife Regional Council Head Office. Scotland, GB Selected PUBLICATIONS. 2008 ‘Excavating England’ March Art Review 2006 Irish Times by Aiden Dunne. ‘The Obsessive Garden’ 2005 Craft magazine April 2006 ‘Making Words Exhibition. Wolverhampton. 2004 UH Gallery organized UK touring exhibition with catalogue ISBN 898543836 2001 On Paper’ New Paper Art. by Jane Thomas and Paul Jackson, Crafts Council London. ISBN 1-85894-145-8 2000 Art monthly, no 239.UK. and Artforum Oct 2000. 1998 Tatler, Malaysia, July 98. 1992-98 Spinne Art Books, Dresden ,Germany Selected Awards & Residencies & Projects 2008-9 The Elisabeth Garrett Anderson Memorial Commission. London. 2004 BBC artists in residence at the Mailbox & Pebble Mill. 2003 Deluxe Gallery Hoxton Square, London. ‘International Open Image’ 2nd Prize winner 2002 The ‘Sotheby Shrewsbury Open’. 1st prize winner. Judges Marjorie Althorpe-Guyton / Arts Council, Richard Dorment / Daily Telegraph and Lord Gowrie. Award presented by Martin Linton MP. 2001 Arts Council England 'Creative Ambitions Award’. 2001 Y.O.T.A. Birmingham City Council. Artist in Residence with Seeing the Light. 2000 Sotheby’s 'Artlink' promoting contemporary artists. New York and Tel Aviv via. ASA JOHANNESSON (asa@asajohannesson.com) (www.asajohannesson.com)I use photography to focus on ideas surrounding the notions of ‘self’ and ‘other’. I see my projects as an ongoing self-portrait: The people I photograph are never professional models but people I meet on the streets of London, through friends, or people who respond to my adverts on the internet. They are people who I could see myself in or who see themselves in me; we share our identities in various ways but never completely. My portraits focus on identity, particularly on gender. I try to question prejudices and stereotypes within masculinity and femininity. I’m interested in the actual act of reading a photograph, how perception forms the story of the photograph and becomes a sphere where identity is dismantled, but also a space where it is created. Despite being visually diverse my work is informed by the same questions and fears, surrounding the notions of who we are, mentally and physically, and who we feel we are in the eyes of others. Date of Birth: 26.01.1979 Nationality: Swedish Education Royal College of Art: MA Photography, London, Oct 07- Jul 09 University of Westminster: BA (Hons) Photographic Arts, London, Oct 03-Jun 06 Exhibitions Nov 2008 The Terry O'neill award 2009, Fulham Palace, London, UK. Oct 2008 Portraits of Her, Riga Art Space, Riga, Latvia. Sep-Nov 2008 Five Nordic Women, NICE08, Novas CUC, Liverpool, UK. Jul 2008 The Other, Its#Seven, International Talent Support, Trieste, Italy. May 2008 The Other I, Hockney Gallery, Royal College of Art, London, UK. March 2007 Fellow Travellers, Salford Museum & Art Gallery, Manchester, UK. Awards Westphoto Graphich Antiga Photography Prize 2008: 2nd prize with Portraits of Him #4 Terry O’Neill Award 2008: Shortlisted with Portraits of Him. Women Photography International 2006: Winner of Honour with Portraits of Her# 6. Publications 2008 Hot Shoe, Issue 157, UK. 2008 Chroma Literary Journal, Issue 7, UK. 2007 Magenta Flash Forward 2007, Canada. JOANNA KANE (joanna@joannakane.co.uk)(www.joannakane.co.uk)Since graduating with a Photography degree in '97, I have worked on commissions in photography, video and digital media, including a number of projects and collaborations with theatre and performance companies, while developing independently motivated work in still and moving lens based image. My core area of practice is photographic still image, using medium and large format cameras and traditional films and papers, as well as digital processes. I also combine this with other traditional practices and media, for instance, I've recently worked with life casting in plaster, which I have approached very much as a photographic process in capturing an intimate trace of subject or object. My work often draws on visually based historical research together with related investigations in new media. I’m particularly interested in exploring the complex of imaging technologies arising before and after the emergence of photography in the early nineteenth century, as one means of understanding implications/potentials of current digital imaging technologies. My own work typically involves combining these traditional or historically inspired photographic approaches with digital techniques. Photography Degree • 1993 - 1997 Napier University, Edinburgh BA Hons Photography Ist Class Honours
• 2008 ‘The Somnambulists’, Solo Exhibition, Scottish National Portrait Gallery Jan - April 2008, (Jan - April 2008) • 2008 Photography Book, ‘The Somnambulists’, Dewi Lewis Publishing, Feb 2008, Hardback, 112 pages, ISBN 978-1904587569, main author. Essay by curator Duncan Forbes and writer Roberta McGrath. • 2007 ‘The Somnambulists’. Solo Exhibition, Month of Photography, Bratislava, part of European Month of Photography (November 2007) • 2007 ‘Digital Romantics’, Photography and 3D digital imaging work from Hospitalfi eld House Residency, Hannah McClure Centre, Dundee • 2007 “Looking for Anne”, Video Installation, a development of “The Glass Essay” commission, shown in performance at the English Theatre, Berlin, June 2007 • 2006 Commission for Video Photography and Installation for performance piece “The Glass Essay”, based on the poem by Anne Carson. Emerging Properties, Berlin • 2005 ‘In/Flux’, interactive digital video installation, Threshold New Media Space, Perth Concert Hall, Perth, catalogue “The Threshold Project” • 2004 ’13 Ways of Looking’, Video Installation, GdK Gallery, Galerie der Künste, Berlin, Germany. Collaboration with Emerging Properties and the Net Museum for Language. • 2004 ‘Castings’, Hospitalfi eld House, Arbroath, Photography and 2 site specifi c video installations using life casts developed by the artists and shown as part of a residency • 2003 - 6 Commission for Video Projection installation for Emerging Properties Performance company, Berlin. Project shown; 2006 Kunstraum Sylt quelle, Sylt, Germany (July ‘06) 2005 Rencontres Video Toulouse, France 2004 National Review of Live Art, Glasgow (invited artists) 2004 GdK Gallery Berlin 2003 Instants Video Manosque Awards • 2007 Juliet Gomperts Project Funding Award • 2005 Hope Scott Trust Award • 2004 Carnegie Trust Award Lecturing and Teaching • 1997 - present Edinburgh College of Art Lecturer Photography and Digital Imaging (part-time) • 1997 - 99 Napier University, Photography Dept. Tutor Photography and Digital Imaging (part-time) EVI LEMBERGER (www.evilemberger.co.uk)(uvede@yahoo.de)Evi Lemberger, born in Lam (1983), lived in Bristol and Munich, before starting to study in London BA (Hons) Photography, short break at the HGB in Leipzig under Professor Helfried Strauss. Participated with recent Between then and now in festivals Lumix, Hannover, Wooloo, Berlin, took part at Group exhibitions Lets face it, LCC LCF, Foto8 Summershow, Photomonth- Dry Walk Gallery, London, Through the lens Bristol, Arte Lagune, Venice, Gratizifikation, Regensburg, nominated for British Journal for Photographer’s Assistance Award and winner of the Bavarian Press Prize for the Best Series 2008. At the moment, he is for a while in Moscow getting a taste of photojournalism and the Moscow world. Group exhibition 12/2008 Grazifikation 7 Regensburg, Germany 11/2008 Photomonth, Dray Walk Gallery London, UK 11/2008 Arte Laguna Venice, Italy 06/2008 Photo8's Summershow, Photo8 London, UK 06/2008 LCC- LCF, The Print Space London, UK 06/2008 Through the lens- RWA Bristol, UK 03– 04/ 2008 Lets Face it, London Photographic Association London, UK 10 – 11/2007 Woman in Europe, Oermezei Koezoessegi Haz Budapest, Hungary 07/2007 O. T. Kötzting, Germany 04/2007 Das Kind in der Kuenstlerin Leipzig, Germany 03/2007 Amnesty International London, UK Competition winner 03- 04/2007 Xhibit, University of Arts London, UK Soloexhibition 06- 08/2008 Between then and now, Prince Boneparte, London, UK 01- 04/2008 Fundstuecke Steinheil, Munich, Germany 07/2007 Gruppenbild mit Dame Kulturbundhaus, Leipzig Competitions 12/ 2008 Bayerischer Pressepreis Munich, Germany Winner of the category “Best Series” 10/2008 Noise festival Manchester, UK curators top 5 09/2008 Terry O Neill Award Battle East Sussex, UK 07/2008 Still life, London Photographic Association London, UK Silveraward for still life extract from the series Between then and now 06/2008 Foto8 Summershow, Foto8 London, UK Shortlisted with image from Between then and now Contemporary Art festival, Wooloo Berlin, Germany Festival contribution with Between then and now 07/ 2008 Lumix Documentary photography festival Hannover, Germany Festival contribution with Between then and now 05/ 2008 New Contemporaries London, UK Shortlisted with Between then and now DAVE LEWIS (lewis.isa@gmail.com)(www.iniva.org)I am a London based photographer who trained in film & photography at the Polytechnic of Central London (now University of Westminster). After college I worked as a photographic assistant before joining Blackfriars Photography Project then based in Bermondsey, S.E. London. I was one of the early members of D’Max, the black photographic collective of the 90’s Black Arts movement and I am currently a member of Autograph ABP (Assoc. of Black Photographers) and B.A.G. (Bermondsey Artist’s Group). I continue to work as a freelance photographer.I attempt to use the image as a vehicle to communicate ideas around social, cultural and political issues questioning accepted beliefs and experimenting with various forms of photographic visual language. My projects are premised on research - applying my ‘findings’ to create new work with an obvious personal slant. Many of my images are ‘constructed’ in the sense that events are not necessarily ‘real’ but rather try to suggest to the viewer dialogues of thought between what is seen (on the walls) and what is received (in the viewers mind). I ask the viewer to suspend belief in order to consider some of the ideas put before them. I also ask the question, how far can we push theories and practice using photographic imagery? I have a continued commitment to working at grass roots level in delivering workshops in museums, galleries and community groups as well as teaching in University photographic departments. I am currently Visiting Research Fellow in the Goldsmiths Anthropology Dept, working with video and photography in visual anthropology. Web site http://www.zen88175.zen.co.uk/english_patient/ Exhibitions/Awards/Publications 2008 Sainsbury Centre for Visual Art Residency, ‘Hybridity’: photographs/sound/video installation (collaboration) 2008 Cafe Gallery ‘Anywhere but Here’, video, (group show) 2007 Hugh Breckman Theatre Prize ‘Conversations with my Daughter’ (Ist prize Award) 2007 Sainsbury Centre for Visual Art ‘AfterShock’, (group show) 2007 Wellcome Trust Award, black communities and mental health issues 2006 Border Crossings Chapter: Site of teaching anthropology, publication 2005 Bermondsey Artists Group ‘Connected’ (connections between migrant families, history and race), Open exhibition 2001 The Photographer’s Gallery ‘Chapter Six – Racism’ and ‘Wall’, (solo show) 2000 Arts Council Collection – ‘Untitled’ at the Royal Anthropological Institute 1998 LDDC Photo-Docklands ‘Lee Boo Rises to Test the Waters’, semi-fictional narrative based on diaries of eighteenth century ship captain, (group show and publication) 1997 Café Gallery ‘In the Palm of my Hand’, (solo show) (investigation into negrobilia, collections of racially stereotyped black figurines) 1997 Museum Of Modern Art, Oxford ‘In Visible Light’, anthropology and photography, (group show) 1996 The Photographers’ Gallery ‘The Impossible Science of Being’, historical development of anthropology and photography, (group show) 1993 Recontres d’Arles Arles, France (Autograph, Association.of Black Photographers) (group show) 1992 MOMA Oxford ‘The Critical Decade Show’, (group show) PAUL SUCKSMITH (www.paulsucksmith.com) (paul@paulsucksmith.com)I have an exhibiting history spanning over the past 24 years which began shortly after studying for a Higher National Diploma in Photography at Leeds Polytechnic.
2009 May- June Gracefields Art Centre, Dumfries 2008 November Ctrl.Alt.shift/Vice Magazine 2005 April Calder Gallery, Hebden Bridge 2004 August Upfront Gallery, Penrith 2004 March Rotherham Arts Centre 2004 Epona AD, Halifax 2003 November Lead Station, Manchester 2002 February Whalley Hall ,Stockport 2002 August Regent street Gallery Nottingham 2000 January ArtRight, London 1999 December 'Re-Production', Stroud House Gallery, Stroud 1999 July/Sept 'Personal Details' Derby City Council House 1999 April/June Solo Show, Rotherham Arts Centre 1999 May/July Burton Art Gallery,Bideford,Devon 1998 Nov/Dec Annual Art Auction, Nottingham Castle Gallery 1997 Febuary 'Voices & Visions',Angle Gallery Birmingham 1998 Oct/Nov 'Klub', Bilston Gallery, Wolverhampton 1998 August 'Summer Madness', Cupola Gallery, Sheffield 1998 February New Heys School, Liverpool 1997 December Lyceum Theatre, Crewe 1997 October Astley Hall, Chorley 1997 August St James Library, Liverpool 1995 May 'Material Objects', Broad St Gallery Nottimgham 1993 August Spectator Annual Exhibition, Adams & co Edinburgh 1993 July Spectator Annual Exhibition Christie's, London 1991 Nov/Dec Barn's & Fitzgerald, Edinburgh 1991 October Broughton St Gallery, Edinburgh 1987 Oct/Dec Leeds Art Space 1987 Jan/Feb Leeds Art Space 1984 June Carnegie Arts Centre, Workington 1984 May Hexham Art Gallery 1984 April/May Carlisle Photography Society, Carlisle City Art Gallery SIMON TERRILL (simonterrill@yahoo.com)(www.simonterrill.com)EDUCATION2008- 09 Graduate Affiliate, Slade School of Fine Art, University College London 2005 Master of Fine Art (Research), Victorian College of the Arts, University of Melbourne 1998 Bachelor of Fine Art (Sculpture), Victorian College of the Arts, University of Melbourne EMPLOYMENT Lecturer, Art History and Theory Department, Victorian College of the Arts, University of Melbourne, 2005- 2008 Lecturer, Centre for Ideas, Victorian College of the Arts, University of Melbourne, 2003 – 2008 SOLO EXHIBITIONS 2008 Closer, Sutton Gallery Project Space, Melbourne Crowd Theory-Port of Melbourne, Mission to Seafarers: Flying Angel Club, Melbourne 2007 Crowd Theory-Southbank, ANZ Pavilion, Victorian Arts Centre, Melbourne 2006 Crowd Theory, Casula Powerhouse, Sydney; Lismore City Hall, Lismore 2005 4Hz, Ocular Lab, Melbourne Orbit, West Space Gallery, Melbourne Crowd Theory, Gabriel Gallery, Footscray Arts Centre 2002 H>M>L, 45 Downstairs, Next Wave Festival, Melbourne 7 Lonely Drivers, Enjoy Gallery, Wellington, New Zealand 2001 Four Photographs and A Sculpture, Linden Gallery, Melbourne 1999 Horizon Line of a Room, TCB inc. ART, Melbourne 1998 Bucket of Blood Hotel, Next Wave Festival, 238 Flinders Lane, Melbourne Machine Primate, Stop 22 Gallery, Melbourne SELECTED GROUP EXHIBITIONS 2008 FX in Contemporary Photography, McClelland Gallery The Truth of the Matter, Monash Gallery of Art, curated by Terry Wu 2007 Constructed Realms: Photography as Theatre, National Photography Prize, Albury Regional Gallery, finalist and keynote lecture Everyday I Make My Way, Sutton Gallery, curated by Jon Cattapan Perfect For Every Occasion: Photography Today, Heide Museum of Modern Art, curated by Zara Stanhope 2006 City Of Perth Photomedia Award, Perth Institute of Contemporary Arts (finalist) The William and Winifred Bowness Photography Prize, Monash Gallery of Art (finalist) Crowd Theory, Alliance Française de Paris, France 2005 ANZ Visual Arts Fellowship Award, 380 Collins Street, Melbourne (finalist) Next Wave Festival 21st Birthday, alumni exhibition / website, Bus Gallery 2003 Living Rooms, Transfigure, Australian Centre for The Moving Image, Federation Square, Public Imaging Project 2002 Casual Menace, Deep Space: Sensation & Immersion, Australian Centre for The Moving Image, Federation Square, Public Imaging Project Casual Menace, Australian Centre for The Moving Image collection, Asia Pacific Triennial, Brisbane Truckstop, Multimedia Art Asia Pacific, Beijing; Vidarte Mexico City AWARDS 2008 Anne & Gordon Samstag International Visual Arts Scholarship 2005 KPMG Tutorship Prize, Victorian College of the Arts 1997 National Gallery of Victoria Trustees Award GRANTS 2006 City of Melbourne project funding 2002 Australia Council New Media Arts Fund Grant 2001 Besen Family Foundation Grant 1998 Australia Council New Media Arts Fund Grant Besen Family Foundation Grant COMMISSIONS 2006/07 KPMG Commission. 2003 Australian Centre for the Moving Image, Public Imaging Project Commission, Living Rooms 2002 Australian Centre for the Moving Image, Public Imaging Project Commission, Casual Menace SELECTED BIBLIOGRAPHY Kirsten Rann, Muscular Memories: Simon Terrill by Kirsten Rann, Photofile, no 85, pp 50 - 55 Urszula Dawkins, Imagining the Ritualised Hour, RealTime issue #87 Oct-Nov 2008 pg. 49 and cover Suzy Freeman-Greene, Looking at the Big Picture, The Age, 16th August 2008, pp 21-22 Jo Roberts, Crowd Mentality Precious Cargo in Theory, The Age, 27th July 2008, p 19 Derrick Gill, interview, 774, ABC radio Melbourne, July 2008 Penny Teale, FX in Contemporary Photography, McClelland Gallery exhibition catalogue, 2008 Daniel Palmer, Crowded Space, Inside: Australian Design Review, No 49,2007, pp 38-40 ABC TV Stateline, Melbourne's Crowd Theory Project, Broadcast 27th April 2007 Harbant Gill, Close to the Madding Crowd, Herald Sun, 20th June 2007, p 63 Jeff Makin, The Photo’s Synthesis, Herald Sun, 30th April 2007, p 89 Penny Web, Every Day I Make My Way, The Age, 8th April 2007 Robert Nelson, Something’s Rotten, The Age A2, 24th March 2007, pp 19-20 Zara Stanhope, ‘Coming back for more’, Perfect for Every Occasion, Photography Today, Heide Museum of Modern Art, 2007, pp 132-145 Chris Healy, Crowd - or Community?, Meanjin, vol. 65, no. 2, 2006, pp 167-172 Daniel Palmer, Crowd Theory, catalogue essay, 2006 Alex McDonald, Crowd Theory, State of the Arts, April/June 2006, p 40-41 Dr Kyla McFarlane, Landscape and the Renewal of Social Space, Photofile, no. 76, Summer 2006, pp 28-31 Andrea Bell, Orbit, UN.magazine, issue 4, 2005, p 55 Jaye Early, Existential Hitchhiking, Realtime, no. 49, June – July 2002, p 4 Keith Gallasch, Snuff Puppets Rule, Realtime, no. 50, August/September 2002, p 38 Andrew Mackenzie, Lost Highways on Flinders Lane, Broadsheet, vol. 31, no. 3, 2002, p 30 Vikki Riley, Some Place Like Sarajevo, Realtime no 26, Aug/Sep 1998, pp 7-8 COLLECTIONS National Gallery of Victoria Samstag Museum of Art Albury Regional Gallery Monash Gallery of Art Artbank Sydney Australian Centre for the Moving Image KPMG Melbourne Macquarie Bank Sydney City of Melbourne Maribyrnong City Council McClelland Gallery Private collections |
 Kim Cunningham  Mark Edwards  Marlene Haring  Carl Jaycock  Asa Johannesson  Joanna Kane  Evi Lemberger  Dave Lewis  Paul Sucksmith  Simon Terrill |
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